Despite my objections to his less-than-fair appraisals of womans' place in the world, Blacks, Africa and Islam (he has explanations for all of these), Daniel Andreev's message is Absolute GOOD. He is consistently fearless in sharing his visions of the hyperdimensional world (which we see only a minute fraction of), no matter how maniacal they may appear... Kudos to him for his strength. His interpetation of the worlds, monads and angels shared with him is filled with heavens, sub-heavens, purgatories and hells (-his Christian/ Orthodox faith possibly coloring his visions? Hardly relevant)... The gist is no less than a call for a World Church that embraces all faiths, so that mankind can finally end it's petty differences. Deep inside, Humanity (every one of us) has always known this. Let his miracles roll over our limited perceptions, and KNOW his appreciation for nature, basic understanding and love for the fellow man; for it was never only his, it's been all of ours... Words to begin a new world by.

What would spirituality look like beyond defensiveness, self-righteousness, fear, and hate? Could it still be a profoundly poetic work, beautifully written, almost taking the breath away with its metaphors and, yet, deal with the history of theological and philosophical arguments throughout religious history in a deeply cogent manner?

The answer is yes. Just when you thought there was no hope for spirituality to ever grow up, to really care about the world, to understand social, economic, and political systems, there comes from Gulag the work of Daniel Andreev.

The Rose of the World is a metaphor for what happens when a deeply compassionate writer examines the world religions and takes from them that which contributes to the recognition of the infinite, compassionate intelligence which is the source of meaning and beauty in our lives.

He uses this wisdom to sketch another possibility for organizing humanity and also to recognize the divine organization already present in our cosmos.

Read this book. It can change the way you think about spirituality. If there is a part of your heart which has been waiting for a grown up spirituality, wait no longer. This is the first review I've bothered to write for Amazon. This book is that good.

The Bible aside, if your home had space for one other book only, The Rose Of The World should be it. For decades it was available only to a negligible few in the Soviet Union who have saved the manuscript living in constant danger of being arrested and committed - for somebody else's words. Now it is published by the Amazon.com, the world's biggest book selling entreprise. The freedom of speech for Daniil Andreev? Or rather the freedom of spirit for those of us who are finally ready to see an eyewitness' notes on the structure of the Universe?

The previous reviewers have left excellent reports; one thing to add though: I've never come across another book that would be a sophisticated philosophical work and a breath-taking page-turner at the same time. It keeps just the right balance between being intelligent and intelligible - probably because knowledge itself is the best entertainment available! What is it about? - Just about everything. Is it interesting? - It bloody well is. Is it worth reading? - It is indeed, but are WE worthy of reading it?

Considering The Rose Of The World is now available by mail order world wide, we probably are.

This book is an absolute must-read! Before I read this book the history of Russia was a weakly connected sequence of contradictory events to me - that I wasn't able to organize in my mind in any comprehensible way. After reading this book I see a clear picture of my country's history. I suddenly understand what is going on. Every historical event, every action of a historic person suddenly falls into place, I see their meaning. This book provides you with an understanding of the real issues that have been troubling Russia for the past 1200 years. You will understand Russia and you will understand its people. The mext time Russia is on the news, and you have some Russians making a statement or conducting some action - you will understand where they are coming from when they are doing that.

After reading many books on Russian history this one tells me who the players are and how they became players. An excellent book that presents a lot of information on the day to day life of everyone in early Russia.

This is a must read.

Jimmy

I only read this book after I had been studying Russian and Russian history for many years, studied in Russia and married a Russian. It is beyond any doubt the best introduction to the subject that I have found in English. It removes a large amount of misconceptions that Americans have about Russian history, illuminates what deserves to be illuminated, avoids pet topics and romaticisms and manages to do all this without the condescending tone that most American writers take when writing about Russia. If you know nothing about Russia and want to learn, this is an excellent place to start.

This deck has delightful illustrations and is a joy to read. I find this to be a pleasant change of pace from my Universal Dali tarot deck. If you want to learn tarot, but the Rider Waite deck is not your thing, I suggest you take a peek into this one. The size of the cards are pleasant.

Russian Tarot of St Petersberg is my first deck.
I believe it is one of the best waite clone decks.
Many people recommend beginners to start with a Rider Waite deck, but I think the artwork of Waite Smith deck is quite poorly done. Beginners who are looking for a good looking version of Waite deck should buy Russian Tarot of St Petersberg.
The artwork is delicate and detailed. Conservative individuals should buy this deck as well as there are nearly no nudities.
I strongly advise those who wish to buy this deck to buy the book written by Cynthia Giles as well. The text is informative and interesting. It would let readers look deeper into the symbolism of the deck.

I just got these cards, and I love them. I knew they were for me when my eyes fell on them. They are very beautiful, the artwork is amazing. The book that accompanies them is very helpful for learning about Russia and it's history, and where the creator of this deck is coming from. Not only that, but they shuffle so nicely, and read VERY well. Highly recommended.

Our Kindergartener has threatened to steal this from the library. We figured we'd just buy it instead!

i remembered reading this book as a child and loved it. when i had my son i searched for and bought this book. it is a little on the scary side, but teaches children about kindness and gentleness at the same time.

This book scared the bejesus out of me as a child. The version I had came with a record, so the witch's horrid shrieking and teeth gnashing could be adequately grasped by children that were too young to read. This book was also the cause of many sweaty nightmares, and sleepless sunsets with closet lights on. I tell this story orally to children and friends, and they are frightened by the house that stood on chicken feet and the thought of being chased by a nasty witch who runs with unhuman speed through a forest with intentions of eating a little girl. The details of the illustrations are also phenomenal, right down to the unnerving wallpaper in the witch's house. I strongly recommend this book to anyone who wants to punish children with fright, or finally tell a story around a campfire that is truly scary.

David Kaplan and Andrew Marshall obviously have an amazing amount of knowledge to share when it comes to the underworlds of Japan. In this book, they do an outstanding job of telling the true story of AUM. Whether you like fiction or non-fiction, you will be capitivated by the story of this Doomsday cult. I give it 5 stars on a 5-star scale.

Kaplan's book about the Yakuza was very well written, but this book was an eye-opener. It was among the scariest tales I've ever read, and it featured lurid stories about Master Asahara's cult apparatus. This is a story every public security official should read, one about a ruthless group of religious fanatics who went the whole nine yards in their attempt to murder 90% of the Japanese peole so as to launch a holy war between Japan and the United States, and to bring about the end of the world. The accounts of the physical and mental abuse to recruits may stun even the most seasoned reader. It reminded me of the Holocaust. But most important is Kaplan and Marshall's exposure of Japanese society, which many of us view as a utopia. In this book and in "Yakuza", we see Japan as it really is, enslaved by corruption, hiding abject poverty, and losing many of its children to fanatics like Chizuo Matsumoto.

Like all of the other people who read this book, I had to keep on reminding myself that it was real and a lot of people did actually have these thoughts and intentions. The thing that really got me was how recent it all was, I'm 17 and I'm so used to everything like that being ages ago - world war 2 for example. After I had read the book I realised that it was only written in 1996 so I searched to find some recent news on them only to find that Shoko Asahara's trial is still going, the cult have relaunched themselves and they even have their own website. They managed to do all what they did 10 years ago, technology has moved on a lot since then and I dread to think what they are capable of now. If you do buy this book, I would recommend you read the last few pages carefully, its like reading the terrorist forecast of New York, very scary and yet very true.

Volume IV of the Lymond Chronicles shows a marked improvement from the somewhat draggy Pawn In Frankincense, if not quite climbing the storytelling heights of the first three episodes.

Ringed Castle spins two riveting tales, Lymond's attempted remaking of Ivan the Terrible's Russia and Philippa's rise into the upper reaches of the English Royal Court. Vivid supporting characters abound: explorer Diccon Chancellor, chess afficiando Tsar Ivan, astrologer John Dee, and Margaret Lennox, Elizabethan femme fatale. The evocation of the Kremlin is gorgeously detailed, as are Lymond & company's adventures in Russia's unforgiving winter and the heartstopping voyage back to England -- Dunnett's uncanny ability to recreate the exotic past with such force you feel yourself there is in full flower. The book's first two thirds are excellent.

But as in the previous volume, Ringed Castle starts to feel like work down the backstretch. Dunnett's authorial sleight of hand in hiding much of Lymond's viewpoint until the final pages begins to frustrate in its familiarity, this ruse particulary trying given the ongoing story regarding his mysterious parentage.

One hopes for less of this in the final volume...

Most reviews of the Lymond series focus on Francis Crawford of Lymond, the enigmatic, often-tortured central character around whom all the other characters revolve. This isn't surprising because he is the central player on the stage. But my favorite character is Philippa, not just because she is genuinely good, but because whenever she enters a scene, it simply begins to sparkle.

Dorothy Dunnett obviously feels a great love for Philpipa because she gives her the best lines and gave her a marvelous sense of humor. She is a wonderful character, both funny and wise. But her greatest attribute is her strong moral character, her desire to do the right thing. In the prior novel, her desire to save Lymond's son caused to her to risk everything--not everyone would become a member of a harem in an effort to save a life. In Ringed Castle, her desire to reconcile Lymond with his family causes her to place herself at great risk.

With regard to Ringed Castle, I didn't find it as consistently compelling as Pawn in Frankincense, but it is still a wonderful book, particularly the haunting and tragic voyage back to England and the last 100 pages at the English court.

I have a tinge of sadness in the realization that I have only one more installment to see how it all ends, to see if Philippa can ultimately tame Lymond.

Luckily, this series is so strong on many levels I can look forward to many productive and enjoyable re-readings.

This book has less action in it than the preceeding novels in this series, but even so, more action than most. We see our hero making his way in an 15 Century Russia. As each book goes by I find that I have difficulty maintaining a liking for this man. He is extremely hard and bitter, and appears to have no loyalties to friendship while he tries to make his point. Even so, I find I still have to keep reading because these books are so powerful. In this book Lymond falls in love, but in true Lymond fashion, feels that he can't share this with anyone, let alone his lady love. I await with much trepidation the final installment in this series in order to find out if Lymond bears any human characteristics or not.

I first read this magnificent tome on Russian history and culture in 1997. As it was part of a history class in college, the first read was a bit of a drag...page after page of description concerning the minutia of Russian life: clothes, churches, meals, religious & superstitious rituals, architecture, commerce, political strife, and so on. Really, with the whirl of the Social Circus of that college year, trudging through all this obscure information brought me no end of grief and silent lamentation! To think of all that time I could have been out with friends looking to score whatever cheap release was on hand or burning inside...spent instead sludging through *detailed history*!

Cut to four years later...

I'm going to Russia. In two weeks. Like so many other unplanned affairs that seem to formulate out of nowhere and take one by the lapels, shoving one screaming into the storm of life, this reviewer took it in stride and decided to find some quick-but-informative text on the destination in mind--especially one with such contradictory reports as Mother Russia. Thus, I dug this out of my library and began anew, stifling a faint unpleasant feeling no doubt inspired by those long sleepless college nights. There had to be some merit here, yes?

Oh yes.

'Land of the Firebird' is a WONDERFUL and ENGAGING in-depth look of Russian history from 987-1917, spanning the ascension of Vlad and the Orthodox Church to right before the Revolution. With colorful prose Suzanne Massie details the variety of Russian existence--tsars and serfs and merchant-princes and babushkas--no stone is left uncovered as she cross-references nearly a thousands years, writing with equal consideration of art, poetry, country-life, court-life, politics and its myriad games, myths and legends, influence "outside the sphere." It would be impossible to truly set down the full range of Russia experience for this time in the 450 pages allotted the reader, but the author does an admirable job in covering the major shakers and movers and events while sparing a considerable amount of print for the minor peoples and patterns that set the foundation of this ancient, troubled country. It certainly put an interesting light on what I saw come the spring of '01.

Indispensable for the casual student of Russia.

I bought this book in the early 80's and absolutely loved it. I recommended it to friends who were going to spend a year in Russia. They took it with them and shared it with their Russian friends, who copied whole chapters by hand -- all the while bemoaning the loss of so much of their rich, pre-revolutionary culture.

Having read many books on Russian history, architecture, notable personalties and points of interest, I found this book to be invaluable. It is a must have if you're interested in Russian history, planning to travel there, or simply want to try to understand how a Russian thinks. Also has wonderful illustrations and photographs.

Jack Womack returns to the present in his sly, humorous tale set in contemporary Russia. Only a writer of Womack's prodigious literary gifts could pull off a great novel about Russia that isn't written by a native. He's done an excellent job examining both the business and political elites of Boris Yeltsin's Russia; every word sounds as though it could be written by a distinguished Russian author. His dense, descriptive prose runs wild through this well written tale of business intrigue and corruption, taking us on a mesmerizing literary joy ride laced with ample doses of black humor. At times I found the passages so funny that I nearly fell out of my chair laughing. "Let's Put The Future Behind Us" is yet another excellent novel by this underrated writer; one who deserves a broad readership beyond science fiction fandom.

Snappy prose, well-paced narrative, sharp humor (a few actual 'I-laughed-out-loud-while-reading' sequences).

I think the book really caught a unique time and place in russia's history. The book would have a more topical impact to the reader of 1996-97 but it is still a great read from a talented writer.

I have got to read Womack's other works! I have a friend who big into Russia and he was amazed by the accuracy (he noted especially the description of the Russian concept of "poshloi"), all from a writer who spent little time in the New Russia. This book is well-paced and full of intriguing characters (especially Max)--a must read for...well, anyone! Words fail to describe it; Just read it!

BY&VtB is a Russian Cinderella-tale of sorts featuring Vasilisa, whose only companion is a talking doll made by her mother. Sent by her wicked stepmother to the hut of Baba Yaga for a light, Vasilisa escapes only by completing vast quantities of houswork. My main problem with this story is that Vasilisa doesn't actually do any of the work--the doll does--leaving Vasilisa only to cook dinner for her (very scary) captor. Why does this earn Vasilisa the epithet "the brave"? A better name for her would be "Vasilisa the Complacent" since she never actually takes control of the situation or shows any will of her own. From the moment her father dies to the time her wicked stepmother is destroyed, she bends to the will of any imposing figure that commands her if for no other reason than she can't think of an alternative (see page 2 of the story)! Don't let the title fool you... Vasilisa is not an example of a strong, clever heroine like you'd expect!

On a more positive note, the illustrations are wonderful. Richly ornamented, finely detailed paintings occupy every other page. The text is decorated by orientalized landscapes and persianesque illuminations. Oh, and the paintings of Baba Yaga are terrifying! I spent a long time absorbed in the artwork of this book. It truly is enchanting!

Bottom line: Don't look to this story for a strong female protagonist. Enjoy it rather for its fine illustrations--they will be reward enough.

I had a trompe-l'oil mural done in my breakfast nook, in my Spanish bungalow. The idea was that one eating at my breakfast table would be sitting outside in a garden setting. I checked out various books from our public library and this is how I discovered the illustrator K. Y. Craft. My mural is now Craft-inspired and marvelous. I had to order this book in particular because of the marvelous Russian-inspired pictures. K. Y. Craft puts such amazing detail into everything she does, whether its the border around the page or the picture itself. You could literally design a child's room by framing these pictures. The story itself is a mix of Cinderella and Hansel & Gretel, with the prince being a Tsar at the end.

This retelling of a Russian "fairytale" combines a bit of wisdom, beauty and a tiny bit of suspense. It is my daughter's favorite, and she insists upon hearing it nightly, and I never refuse to, no matter how oft I read it.

The best thing about this edition is its stunningly beautiful cover. It goes downhill from there.

The previous edition (was it around 1995?) was really, really very good; ahead of everyone in the business. I wrote a glowing review at that time. Since then, the countries have moved on at an amazin pace, but LP did not manage to catch up.

Cultural information is still good (and that is the area where fewest changes were needed). It is not as good with practicalities: the book is full of small inaccuracies - money, costs, payment options, transport information all suffer from lazy, complacent research.

Another sad fact is that the authors seem to draw upon their one-off impressions: waiters tipping themselves by not giving you the change, what's that about? Credit cards accepted in "main cities and towns" - well, hello, when did you last go to any of the countries? These things go on and on.

As for "Getting There" information, one wonders which planet are Lonely Planet researchers living on. Has anyone told them about the Internet? About cheap offers from the airlines? How long can continue with their ridiculously irrelevant drivel about bucket shops and courier flights?

A good thing that can be said about this Lonely Plant is that it is not of trademark "bleeding-heart" variety and that anti-American propaganda still has not found its way into it. You will have to get the Iceland guidebook if you want some of the most bitter, biased and unwelcome LP campaigning.

Overall, it seems like Lonely Planet is cutting costs, and the most recent thing that they have chopped off is proper research and verification. This is unfortunate, for the start was really good.

I've used this guide to travel from Estonia to Lithuania via Latvia, and I can assure that the coverage of those countries is absolutely great. The stories included in the book are simply juicy drops of culture, and surely they capture your interest and push you to get more deeply in the history of those sites you are visiting. No matters where you go, you will find the essential information and much more than that. This guide worth the money.

As with all of Lonely Planet in Eastern Europe, this book is excellent. The historical background is particularly good, it makes some sense of an extremely complicated, and at times, surprising history. This are in many ways countries, almost of myth and old stamp collections, that have come back to the real world -a fairy tale in more ways than one. This book keeps that spirit alive, and I highly commend it.